August 26, 20179 yr Excerpts from NYTimes LOBESA, Bhutan — For centuries, Bhuutan has celebrated the phallus. They are painted on homes, or carved in wood, installed above doorways and under eaves to ward off evil, including one of its most insidious human forms, gossip. They are worn on necklaces, installed in granaries and in fields as a kind of scarecrow. They are used by masked jesters in religious festivals and at one temple near here in Lobesa as a blessing of fertility. Now, as Bhutan increasingly opens up to the world, the ancient tradition has been evolving or, some say, sullied — by commercialization. Though still a religious symbol, it has become, to some, a relic of a patriarchal past, something vaguely embarrassing and not fit for the modern new democracy that has, by all appearances, taken firm root in Bhutan after decades of relative isolation and absolute monarchy. It has also become a curio to peddle in all sizes and colors to the increasing number of tourists visiting this remote Himalayan kingdom, renowned for its pursuit of "gross national happiness." “Stories of Bhutan’s engagement with the phallus shed light on traditions and lifestyle that make Bhutan one of the happiest places on earth,” Karma Choden wrote in the 2014 book “Phallus: Crazy Wisdom from Bhutan,” which was published here and claims to be the first scholarly effort to document the ubiquity of the phallus. The tradition has been widely traced to one lama, Drukpa Kunley, who spread the tenets of Buddhism through Bhutan in the 15th and 16th centuries. Full article with photos http://www.nytimes.com/2017/08/24/world/asia/bhutan-phallus-commercialization-tourism.html
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