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AdamSmith

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Everything posted by AdamSmith

  1. I believe the procedure is that it is not possible to originate a thread there, but only to continue one after a moderator has moved it there.
  2. At the risk of repeating myself (for the 80th time). Don't worry about the DOJ. The DOJ can take care of itself. Every one of its -- very committed -- members swore an oath to the Constitution. NOT to the Executive. And certainly not to Congress. The separation of powers is real, complete, and deep. Yes, as in Deep State, indeed. That term precisely defines the foundational intent of the Framers. And to date, across three centuries, their Deep State solution seems to have held up pretty well, against some fairly long odds now and again. And to have come through only stronger after every existential crisis to the Republic.
  3. Doesn't that guy own A Different Web Site?
  4. But does one not customarily take one's pants down before commencing the Big Squeeze? https://www.snopes.com/fact-check/poopy-pants/
  5. Precisely what he is NOT doing.
  6. Another thing I like at Aldi is its herbs & spices. Which are in my experience always fresh, never stale -- and some 30-50% the price of the brand names like McCormick's et al.
  7. Ze real story... Zuckerberg set up fraudulent scheme to 'weaponise' data, court case alleges https://www.theguardian.com/technology/2018/may/24/mark-zuckerberg-set-up-fraudulent-scheme-weaponise-data-facebook-court-case-alleges
  8. Aw! Too true. But any time I find something I like in their oddly monk-like bins, it IS good. Great sweet potatoes for instance! For almost free.
  9. AdamSmith

    The Organ

  10. Switch to Aldi.
  11. P.P.S. I have had occasion in life, many more times than once, to enact that very scenario: 'We'll just see about this, now!'
  12. AdamSmith

    The Organ

    How did you get a camera into my salle de bains?!
  13. AdamSmith

    The Organ

    LMAO (literally ). THANK YOU!!!
  14. AdamSmith

    The Organ

    I saw him do this live in person at Wolf Trap Farm Park, 1984. Unbelievable.
  15. AdamSmith

    The Organ

    Paracelsus GERMAN-SWISS PHYSICIAN WRITTEN BY: John G. Hargrave See Article History Paracelsus, byname of Philippus Aureolus Theophrastus Bombastus von Hohenheim, (born November 11 or December 17, 1493, Einsiedeln, Switzerland—died September 24, 1541, Salzburg, Archbishopric of Salzburg [now in Austria]), German-Swiss physician and alchemist who established the role of chemistry in medicine. He published Der grossen Wundartzney (Great Surgery Book) in 1536 and a clinical description of syphilis in 1530. Education Paracelsus, who was known as Theophrastus when he was a boy, was the only son of an impoverished German doctor and chemist. His mother died when he was very young, and shortly thereafter his father moved to Villach in southern Austria. There Paracelsus attended the Bergschule, founded by the wealthy Fugger family of merchant bankers of Augsburg, where his father taught chemical theory and practice. Youngsters were trained at the Bergschule as overseers and analysts for miningoperations in gold, tin, and mercury, as well as in iron, alum, and copper-sulfate ores. The young Paracelsus learned of metals that “grow” in the earth, watched the transformations of metallic constituents in smelting vats, and perhaps wondered about the transmutationof lead into gold—a conversion believed to be possible by the alchemists of the time. Those experiences gave Paracelsus insight into metallurgy and chemistry, which likely laid the foundations of his later remarkable discoveries in the field of chemotherapy. In 1507 Paracelsus joined the many wandering youths who traveled throughout Europe in the late Middle Ages, seeking famous teachers at one university after another. Paracelsus is said to have attended the Universities of Basel, Tübingen, Vienna, Wittenberg, Leipzig, Heidelberg, and Cologne during the next five years but was disappointed with them all. He wrote later that he wondered how “the high colleges managed to produce so many high asses,” a typical Paracelsian jibe. Rejection Of Traditional Education And Medicine Paracelsus upset the traditional attitudes of Schoolmen. “The universities do not teach all things,” he wrote, “so a doctor must seek out old wives, gipsies, sorcerers, wandering tribes, old robbers, and such outlaws and take lessons from them. A doctor must be a traveller.…Knowledge is experience.” Paracelsus held that the crude language of the innkeeper, the barber, and the teamster had more real dignity and common sense than the dry Scholasticism of Aristotle, Galen of Pergamum, and Avicenna, some of the recognized medical authorities of his day. Paracelsus is said to have graduated from the University of Vienna with a baccalaureate in medicine in 1510. He then went to the University of Ferrara in Italy, where he was free to express his rejection of the prevailing view that the stars and the planets controlled all the parts of the human body. It is believed that he received a doctoral degree from the University of Ferrara in 1516, and he is presumed to have begun using the name “para-Celsus” (above or beyond Celsus) at about this time as well. His new name reflected the fact that he regarded himself as even greater than Aulus Cornelius Celsus, a renowned 1st-century Roman medical writer. Soon after taking his degree, he set out upon many years of wandering through almost every country in Europe, including England, Ireland, and Scotland. He took part in the “Netherlandish wars” as an army surgeon. Later he went to Russia, was held captive by the Tatars, escaped into Lithuania, and went south into Hungary. In 1521 he again served as an army surgeon in Italy. His wanderings eventually took him to Egypt, Arabia, the Holy Land, and, finally, Constantinople. Everywhere he went, he sought out the most learned exponents of practical alchemy, not only to discover the most effective means of medical treatment but also—and even more important—to discover “the latent forces of Nature,” and how to use them. He wrote: Career At Basel In 1524 Paracelsus returned to his home in Villach to find that his fame for many miraculous cures had preceded him. He was subsequently appointed town physician and lecturer in medicine at the University of Basel in Switzerland, and students from all parts of Europe went to the city to hear his lectures. Pinning a program of his forthcoming lectures to the notice board of the university on June 5, 1527, he invited not only students but anyone and everyone. The authorities were incensed by his open invitation. Ten years earlier German theologian and religious reformer Martin Luther had circulated his Theses on Indulgences. (See Researcher’s Note.) Later, Paracelsus wrote: Three weeks later, on June 24, 1527, in front of the university, Paracelsus reportedly burned the books of Avicenna, the Muslim “Prince of Physicians,” and those of Greek physician Galen. This incident is said to have again recalled in many peoples’ minds Luther, who on December 10, 1520, at the Elster Gate of Wittenberg, Germany, had burned a papal bull that threatened excommunication. Paracelsus seemingly remained a Catholic to his death; however, it is suspected that his books were placed on the Index Expurgatorius (a catalogue of books from which passages of text considered immoral or against the Catholic religion are removed). Similar to Luther, Paracelsus also lectured and wrote in German rather than in Latin. Paracelsus reached the peak of his career at Basel. In his lectures, he stressed the healing power of nature and denounced the use of methods of treating wounds, such as padding with moss or dried dung, that prevented natural draining. The wounds must drain, he insisted, for “if you prevent infection, Nature will heal the wound all by herself.” He also attacked many other medical malpractices of his time, including the use of worthless pills, salves, infusions, balsams, electuaries, fumigants, and drenches. However, by the spring of 1528 Paracelsus had fallen into disrepute with local doctors, apothecaries, and magistrates. He left Basel, heading first toward Colmar in Upper Alsace, about 50 miles north of the university. He stayed at various places with friends and continued to travel for the next eight years. During this time, he revised old manuscripts and wrote new treatises. With the publication of Der grossen Wundartzney(Great Surgery Book) in 1536 he restored, and even extended, the revered reputation he had earned at Basel. He became wealthy and was sought by royalty. In May 1538, at the zenith of that second period of renown, Paracelsus returned to Villach again to see his father, only to find that his father had died four years earlier. In 1541 Paracelsus himself died in mysterious circumstances at the White Horse Inn, Salzburg, where he had taken up an appointment under the prince-archbishop, Duke Ernst of Bavaria. Contributions To Medicine In 1530 Paracelsus wrote a clinical description of syphilis, in which he maintained that the disease could be successfully treated by carefully measured doses of mercury compoundstaken internally. He stated that the “miners’ disease” (silicosis) resulted from inhaling metal vapours and was not a punishment for sin administered by mountain spirits. He was the first to declare that, if given in small doses, “what makes a man ill also cures him”—an anticipation of the modern practice of homeopathy. Paracelsus is said to have cured many persons in the plague-stricken town of Stertzing in the summer of 1534 by administering orally a pill made of bread containing a minute amount of the patient’s excreta he had removed on a needle point. Paracelsus was the first to connect goitre with minerals, especially lead, in drinking water. He prepared and used new chemical remedies, including those containing mercury, sulfur, iron, and copper sulfate, thus uniting medicine with chemistry, as the first London Pharmacopoeia, in 1618, indicates. Paracelsus, in fact, contributed substantially to the rise of modern medicine, including psychiatric treatment. Swiss psychologist Carl Jung wrote of him that “we see in Paracelsus not only a pioneer in the domains of chemical medicine, but also in those of an empirical psychological healing science.” John G. Hargrave LEARN MORE in these related Britannica articles: Switzerland: Science >Paracelsus (Theophrastus Bombastus von Hohenheim), who in the 16th century brought chemistry into the field of medicine; Daniel, Jakob, and Johann Bernoulli of Basel, who made significant contributions to mathematics; the innovative mathematician Leonhard Euler; the naturalist and pioneer Alpine scholar Horace Bénédict de Saussure… history of medicine: The spread of new learning …and alchemist who called himself Paracelsus. Born in Switzerland, he traveled extensively throughout Europe, gaining medical skills and practicing and teaching as he went. In the tradition of Hippocrates, Paracelsus stressed the power of nature to heal, but, unlike Hippocrates, he believed also in the power of supernatural forces, and… poison …the German-Swiss physician and alchemist Paracelsus first stressed the chemical nature of poisons. It was Paracelsus who introduced the concept of dose and studied the actions of poisons through experimentation. It was not until the 19th century, however, that the Spaniard Matthieu Orfila, the attending physician to Louis XVIII, correlated… chemistry: Alchemy The German-Swiss physician Paracelsuspracticed alchemy, Kabbala, astrology, and magic, and in the first half of the 16th century he championed the role of mineral rather than herbal remedies. His emphasis on chemicals in pharmacy and medicine was influential on later figures, and lively controversies over the Paracelsian… physical science: Chemistry Paracelsus, a 16th-century Swiss natural philosopher, was a seminal figure in the history of chemistry, putting together in an almost impenetrable combination the Aristotelian theory of matter, alchemical correspondences, mystical forms of knowledge, and chemical therapy in medicine. His influence was widely felt in succeeding… https://www.britannica.com/biography/Paracelsus https://www.britannica.com/biography/Paracelsus
  16. Your use of that phrase has triggered me.
  17. AdamSmith

    The Organ

  18. P.S. When de Kooning first saw this, he could not resist exclaiming: "Square inch by square inch, it's better than Jackson himself!"
  19. Rockwell did say in the late 1950s (quoting from memory), "Obviously if I had come along later, in their generation, I would be doing exactly what the Abstract Expressionists are doing today." What a (generous!) genius.
  20. NORMAN ROCKWELL MUSEUM The essence of tradition is to invite the challenge that redefines it, and after fifty years on the periphery, realism is being reinvigorated by contemporary artists who see it as a way to address the experiences of living in our complex world. In post-World War II America, the primacy of abstract art was clearly acknowledged, and by 1961, when Norman Rockwell painted The Connoisseur―his visual treatise on the subject juxtaposing Jackson Pollock’s nonrepresentational art with his own illusionistic imagery―Abstract Expressionism had been covered in the popular press for nearly fifteen years. By the mid-1950s, abstraction had successfully attracted collectors and critics whose passion for these visceral, less readable artworks was in itself noteworthy. Rockwell was working at a time when he and other figurative painters like Andrew Wyeth were criticized for their predilection for visual storytelling. In The Connoisseur, Rockwell had cause to defend himself against his detractors and take a good-humored poke at the pieties surrounding abstract painting. In the 1950s, there was heated debate about the relative merits of abstract art, realist art, and illustration art, and Rockwell was frequently caught in the crossfire. Clement Greenberg, one of the most vocal critics of the period and a champion of Pollock and other New York School artists, set the conversation’s terms. He argued for aesthetic complexities and challenges of abstract art while protesting the cheapened kitsch culture that he felt dominated America. In Greenberg’s lexicon, Rockwell’s illustrations were kitsch, popular accessible artworks that appealed to the masses. When such popular forms become the dominant taste, Greenberg argued, the high arts are challenged to flourish and survive―a danger in a society as populist and commercial as the United States. Reference photo by Louie Lamone. Norman Rockwell Museum Collections. ©Norman Rockwell Family Agency. All rights reserved. Even in the world of illustration, Rockwell represented the tried and true representational approach to picturemaking that dominated most American commercial art from the mid-1930s until the mid-1950s. His influence on the genre was widespread, and those who slavishly followed his surface style were widely published. Hence Rockwell drew respectful fire from young rebels, but his many imitators earned their contempt. Such arguments set the parameters by which Rockwell and other realists were judged by modernist art critics at the time, and by some art commentators today. The Challenge of Realism will examine the forces that have inspired the resurgence of realist painting in recent years, and the ways in which our contemporary viewpoints have been shaped by post World War II constructs. Is it possible in this age of instant imaging that we remain challenged to view realist painting as serious, meaningful work, or have former lines of distinction been blurred in the face of ever-increasing visual access? In what ways has contemporary realism come of age as a reflection of its time? What is the relationship of contemporary realism to the published art of the mid-twentieth century, and to artistic movements of the past? How are the extremes of technical absorption and narrative context balanced in the creation of resonant realist images today? In the end, it is the voice and vision of the artist, and not the creator’s technical and narrative ability alone, that makes a work of art. The Challenge of Realism will explore these significant questions through the juxtaposition of contemporary realist painting and the popular imagery of the mid twentieth century. Original artworks and commentary by Mark Tansey (b. 1949), whose large scale monochromatic allegories reference the art of photography, a pivotal technology in the reproduction and dissemination of popular images; John Currin (b. 1962), who has referenced the art of Norman Rockwell, and whose provocative figural paintings reflect upon domestic and social themes that were prevalent, though differently portrayed, in the mid-twentieth century; Vincent Desiderio (b. 1955), whose dark intellectual melodramas re-imagine scenes of crime and adventure from pulp fiction; Lucien Freud (1922-2011), the painter of deeply psychological works that examine the relationship of artist and model; and Jamie Wyeth (b. 1946), son of noted painter Andrew Wyeth and grandson of illustrator N.C. Wyeth, whose images convey stories real and imagined, among other artists, will be featured in the exhibition and its accompanying catalogue. https://www.nrm.org/2012/09/rockwell-and-realism-in-an-abstract-world/
  21. That, precisely, diagnoses the pathology of your choice to participate here.
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