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AdamSmith

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  1. AdamSmith

    The Organ

  2. AdamSmith

    The Organ

    Only deep nerds need attend the following. Dirac established the most general theory of quantum mechanics and discovered the relativistic equation for the electron, which now bears his name. The remarkable notion of an antiparticle to each fermion particle – e.g. the positron as antiparticle to the electron – stems from his equation. He was the first to develop quantum field theory, which underlies all theoretical work on sub-atomic or "elementary" particles today, work that is fundamental to our understanding of the forces of nature. He proposed and investigated the concept of a magnetic monopole, an object not yet known empirically, as a means of bringing even greater symmetry to James Clerk Maxwell's equations of electromagnetism. Gravity He quantised the gravitational field, and developed a general theory of quantum field theories with dynamical constraints, which forms the basis of the gauge theories and superstring theories of today. The influence and importance of his work has increased with the decades, and physicists use the concepts and equations that he developed daily. Quantum theory Dirac's first step into a new quantum theory was taken late in September 1925. Ralph Fowler, his research supervisor, had received a proof copy of an exploratory paper by Werner Heisenberg in the framework of the old quantum theory of Bohr and Sommerfeld. Heisenberg leaned heavily on Bohr's correspondence principle but changed the equations so that they involved directly observable quantities, leading to the matrix formulation of quantum mechanics. Fowler sent Heisenberg's paper on to Dirac, who was on vacation in Bristol, asking him to look into this paper carefully. Dirac's attention was drawn to a mysterious mathematical relationship, at first sight unintelligible, that Heisenberg had reached. Several weeks later, back in Cambridge, Dirac suddenly recognised that this mathematical form had the same structure as the Poisson brackets that occur in the classical dynamics of particle motion. From this thought he quickly developed a quantum theory that was based on non-commuting dynamical variables. This led him to a more profound and significant general formulation of quantum mechanics than was achieved by any other worker in this field.[51] Dirac's formulation allowed him to obtain the quantisation rules in a novel and more illuminating manner. For this work,[52] published in 1926, Dirac received a PhD from Cambridge. This formed the basis for Fermi-Dirac statistics that applies to systems consisting of many identical spin 1/2 particles (i.e. that obey the Pauli exclusion principle), e.g. electrons in solids and liquids, and importantly to the field of conduction in semi-conductors. Dirac was famously not bothered by issues of interpretation in quantum theory. In fact, in a paper published in a book in his honour, he wrote: "The interpretation of quantum mechanics has been dealt with by many authors, and I do not want to discuss it here. I want to deal with more fundamental things."[53] The Dirac equation For more details on this topic, see Dirac equation. In 1928, building on 2×2 spin matrices which he purported to have discovered independently of Wolfgang Pauli's work on non-relativistic spin systems (Dirac told Abraham Pais, "I believe I got these [matrices] independently of Pauli and possibly Pauli got these independently of me."),[54] he proposed the Dirac equation as a relativistic equation of motion for the wave function of the electron.[55] This work led Dirac to predict the existence of the positron, the electron's antiparticle, which he interpreted in terms of what came to be called the Dirac sea.[56] The positron was observed by Carl Anderson in 1932. Dirac's equation also contributed to explaining the origin of quantum spin as a relativistic phenomenon. The necessity of fermions (matter) being created and destroyed in Enrico Fermi's 1934 theory of beta decay led to a reinterpretation of Dirac's equation as a "classical" field equation for any point particle of spin ħ/2, itself subject to quantisation conditions involving anti-commutators. Thus reinterpreted, in 1934 by Werner Heisenberg, as a (quantum) field equation accurately describing all elementary matter particles – today quarks and leptons – this Dirac field equation is as central to theoretical physics as the Maxwell, Yang–Mills and Einstein field equations. Dirac is regarded as the founder of quantum electrodynamics, being the first to use that term. He also introduced the idea of vacuum polarisation in the early 1930s. This work was key to the development of quantum mechanics by the next generation of theorists, in particular Schwinger, Feynman, Sin-Itiro Tomonaga and Dyson in their formulation of quantum electrodynamics. Dirac's Principles of Quantum Mechanics, published in 1930, is a landmark in the history of science. It quickly became one of the standard textbooks on the subject and is still used today. In that book, Dirac incorporated the previous work of Werner Heisenberg on matrix mechanics and of Erwin Schrödinger on wave mechanics into a single mathematical formalism that associates measurable quantities to operators acting on the Hilbert space of vectors that describe the state of a physical system. The book also introduced the delta function. Following his 1939 article,[57] he also included the bra–ket notation in the third edition of his book,[58] thereby contributing to its universal use nowadays. Magnetic monopoles In 1931, Dirac proposed that the existence of a single magnetic monopole in the universe would suffice to explain the quantisation of electrical charge.[59] In 1975,[60] 1982,[61] and 2009[62][63][64] intriguing results suggested the possible detection of magnetic monopoles, but there is, to date, no direct evidence for their existence (see also Magnetic monopole#Searches for magnetic monopoles).
  3. AdamSmith

    The Organ

    The commemorative marker in Westminster Abbey. [The symbols are the most compact formulation of his relativistic equation for the electron: the Dirac equation.]
  4. AdamSmith

    The Organ

    Dirac's grave in Roselawn Cemetery, Tallahassee, Florida. Also buried is his wife Manci (Margit Wigner). Their daughter Mary Elizabeth Dirac, who died 20 January 2007, is buried next to them but not shown in the photograph.
  5. AdamSmith

    The Organ

    In 1971, at a conference meeting, Dirac expressed his views on the existence of God.[43] Dirac explained that the existence of God could only be justified if an improbable event were to have taken place in the past: It could be that it is extremely difficult to start life. It might be that it is so difficult to start life that it has happened only once among all the planets... Let us consider, just as a conjecture, that the chance of life starting when we have got suitable physical conditions is 10−100. I don't have any logical reason for proposing this figure, I just want you to consider it as a possibility. Under those conditions ... it is almost certain that life would not have started. And I feel that under those conditions it will be necessary to assume the existence of a god to start off life. I would like, therefore, to set up this connexion between the existence of a god and the physical laws: if physical laws are such that to start off life involves an excessively small chance, so that it will not be reasonable to suppose that life would have started just by blind chance, then there must be a god, and such a god would probably be showing his influence in the quantum jumps which are taking place later on. On the other hand, if life can start very easily and does not need any divine influence, then I will say that there is no god.[43]
  6. AdamSmith

    The Organ

    Later in life, Dirac's views towards the idea of God were less acerbic. As an author of an article appearing in the May 1963 edition of Scientific American, Dirac wrote: It seems to be one of the fundamental features of nature that fundamental physical laws are described in terms of a mathematical theory of great beauty and power, needing quite a high standard of mathematics for one to understand it. You may wonder: Why is nature constructed along these lines? One can only answer that our present knowledge seems to show that nature is so constructed. We simply have to accept it. One could perhaps describe the situation by saying that God is a mathematician of a very high order, and He used very advanced mathematics in constructing the universe. Our feeble attempts at mathematics enable us to understand a bit of the universe, and as we proceed to develop higher and higher mathematics we can hope to understand the universe better.[42]
  7. AdamSmith

    The Organ

    Heisenberg's view was tolerant. Pauli, raised as a Catholic, had kept silent after some initial remarks, but when finally he was asked for his opinion, said: "Well, our friend Dirac has got a religion and its guiding principle is 'There is no God and Paul Dirac is His prophet.'" Everybody, including Dirac, burst into laughter.[40][41]
  8. AdamSmith

    The Organ

    Heisenberg recollected a conversation among young participants at the 1927 Solvay Conference about Einstein and Planck's views on religion between Wolfgang Pauli, Heisenberg and Dirac. Dirac's contribution was a criticism of the political purpose of religion, which was much appreciated for its lucidity by Bohr when Heisenberg reported it to him later. Among other things, Dirac said: "I cannot understand why we idle discussing religion. If we are honest—and scientists have to be—we must admit that religion is a jumble of false assertions, with no basis in reality. The very idea of God is a product of the human imagination. It is quite understandable why primitive people, who were so much more exposed to the overpowering forces of nature than we are today, should have personified these forces in fear and trembling. But nowadays, when we understand so many natural processes, we have no need for such solutions. I can't for the life of me see how the postulate of an Almighty God helps us in any way. What I do see is that this assumption leads to such unproductive questions as why God allows so much misery and injustice, the exploitation of the poor by the rich and all the other horrors He might have prevented. If religion is still being taught, it is by no means because its ideas still convince us, but simply because some of us want to keep the lower classes quiet. Quiet people are much easier to govern than clamorous and dissatisfied ones. They are also much easier to exploit. Religion is a kind of opium that allows a nation to lull itself into wishful dreams and so forget the injustices that are being perpetrated against the people. Hence the close alliance between those two great political forces, the State and the Church. Both need the illusion that a kindly God rewards—in heaven if not on earth—all those who have not risen up against injustice, who have done their duty quietly and uncomplainingly. That is precisely why the honest assertion that God is a mere product of the human imagination is branded as the worst of all mortal sins.[39]"
  9. AdamSmith

    The Organ

    Another story told of Dirac is that when he first met the young Richard Feynman at a conference, he said after a long silence, "I have an equation. Do you have one too?".[35] After he presented a lecture at a conference, one colleague raised his hand and said "I don't understand the equation on the top-right-hand corner of the blackboard". After a long silence, the moderator asked Dirac if he wanted to answer the question, to which Dirac replied "That was not a question, it was a comment."[36][37] Dirac was also noted for his personal modesty. He called the equation for the time evolution of a quantum-mechanical operator, which he was the first to write down, the "Heisenberg equation of motion". Most physicists speak of Fermi–Dirac statistics for half-integer-spin particles and Bose–Einstein statistics for integer-spin particles. While lecturing later in life, Dirac always insisted on calling the former "Fermi statistics". He referred to the latter as "Einstein statistics" for reasons, he explained, of "symmetry".[38]
  10. AdamSmith

    The Organ

    Dirac was known among his colleagues for his precise and taciturn nature. His colleagues in Cambridge jokingly defined a unit called a "dirac", which was one word per hour.[28] When Niels Bohr complained that he did not know how to finish a sentence in a scientific article he was writing, Dirac replied, "I was taught at school never to start a sentence without knowing the end of it."[29] He criticised the physicist J. Robert Oppenheimer's interest in poetry: "The aim of science is to make difficult things understandable in a simpler way; the aim of poetry is to state simple things in an incomprehensible way. The two are incompatible."[30] Dirac himself wrote in his diary during his postgraduate years that he concentrated solely on his research, and stopped only on Sunday, when he took long strolls alone.[31] An anecdote recounted in a review of the 2009 biography tells of Werner Heisenberg and Dirac sailing on an ocean liner to a conference in Japan in August 1929. "Both still in their twenties, and unmarried, they made an odd couple. Heisenberg was a ladies' man who constantly flirted and danced, while Dirac—'an Edwardian geek', as biographer Graham Farmelo puts it—suffered agonies if forced into any kind of socialising or small talk. 'Why do you dance?' Dirac asked his companion. 'When there are nice girls, it is a pleasure,' Heisenberg replied. Dirac pondered this notion, then blurted out: 'But, Heisenberg, how do you know beforehand that the girls are nice?'"[32] https://en.m.wikipedia.org/wiki/Paul_Dirac
  11. AdamSmith

    The Organ

  12. Only good thing here is the return of Toyoda. i know him personally. He will help save humanity. A great soul.
  13. Electricity generation actually takes more out of the ecosystem than gasoline. there is no good solution
  14. AdamSmith

    The Organ

    I am an atheist, avowed and outright. if I one day have to stand before my Creator and avow and defend that fact, I can at least tell Him I did not waffle. That I modeled myself upon the certainties of life that my Yahweh, 'walking in the cool of the day' in the Garden, gave to me. I think He will understand.
  15. You have to have some outre, absurdist (and scatogical! ) fun from time to time. else the pressures of horrid reality would drive one to suicide, or homicide, or worse.
  16. Dinna worry! Your intent & meaning are crystal clear. i am humbly very grateful for people's support here. I only meant to be a positive contributor, even Over There. what actually got me banned was a blistering pair of PMs from me to His Highness over his various stupidities of over-moderation that I felt were seriously damaging his message forum's very real public usefulnesses.
  17. That was not what I meant at all. I meant to post support and reinforcement of what you were posting.
  18. AdamSmith

    The Organ

  19. AdamSmith

    The Organ

    Last poem of his life.
  20. AdamSmith

    The Organ

    Of Mere Being BY WALLACE STEVENS The palm at the end of the mind, Beyond the last thought, rises In the bronze decor, A gold-feathered bird Sings in the palm, without human meaning, Without human feeling, a foreign song. You know then that it is not the reason That makes us happy or unhappy. The bird sings. Its feathers shine. The palm stands on the edge of space. The wind moves slowly in the branches. The bird's fire-fangled feathers dangle down. Wallace Stevens, "Of Mere Being" from The Palm at the End of the Mind: Selected Poems and a Play. Copyright © 1967, 1969, 1971 by Holly Stevens. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Random House LLC. All rights reserved.
  21. I am more than willing to take the risks, and to take the good with the bad. Obviously, from my glad participation here. i think being as aware as possible OF those risks is the sane route.
  22. There is significant clinical research over the past 2 to 3 years that shows that participation in social media (such as this, yes) is deeply detrimental to psychic and emotional well-being,.
  23. AdamSmith

    Tom Petty RIP

    Too sad, too soon.
  24. AdamSmith

    The Organ

    I still have the whole beautiful shebang in memory, thanks to Reynolds. Lycidas By John Milton Yet once more, O ye laurels, and once more Ye myrtles brown, with ivy never sere, I come to pluck your berries harsh and crude, And with forc'd fingers rude Shatter your leaves before the mellowing year. Bitter constraint and sad occasion dear Compels me to disturb your season due; For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer. Who would not sing for Lycidas? he knew Himself to sing, and build the lofty rhyme. He must not float upon his wat'ry bier Unwept, and welter to the parching wind, Without the meed of some melodious tear. Begin then, Sisters of the sacred well That from beneath the seat of Jove doth spring; Begin, and somewhat loudly sweep the string. Hence with denial vain and coy excuse! So may some gentle muse With lucky words favour my destin'd urn, And as he passes turn And bid fair peace be to my sable shroud! For we were nurs'd upon the self-same hill, Fed the same flock, by fountain, shade, and rill; Together both, ere the high lawns appear'd Under the opening eyelids of the morn, We drove afield, and both together heard What time the gray-fly winds her sultry horn, Batt'ning our flocks with the fresh dews of night, Oft till the star that rose at ev'ning bright Toward heav'n's descent had slop'd his westering wheel. Meanwhile the rural ditties were not mute, Temper'd to th'oaten flute; Rough Satyrs danc'd, and Fauns with clov'n heel, From the glad sound would not be absent long; And old Damætas lov'd to hear our song. But O the heavy change now thou art gone, Now thou art gone, and never must return! Thee, Shepherd, thee the woods and desert caves, With wild thyme and the gadding vine o'ergrown, And all their echoes mourn. The willows and the hazel copses green Shall now no more be seen Fanning their joyous leaves to thy soft lays. As killing as the canker to the rose, Or taint-worm to the weanling herds that graze, Or frost to flowers that their gay wardrobe wear When first the white thorn blows: Such, Lycidas, thy loss to shepherd's ear. Where were ye, Nymphs, when the remorseless deep Clos'd o'er the head of your lov'd Lycidas? For neither were ye playing on the steep Where your old bards, the famous Druids, lie, Nor on the shaggy top of Mona high, Nor yet where Deva spreads her wizard stream. Ay me! I fondly dream Had ye bin there'—for what could that have done? What could the Muse herself that Orpheus bore, The Muse herself, for her enchanting son, Whom universal nature did lament, When by the rout that made the hideous roar His gory visage down the stream was sent, Down the swift Hebrus to the Lesbian shore? Alas! what boots it with incessant care To tend the homely, slighted shepherd's trade, And strictly meditate the thankless Muse? Were it not better done, as others use, To sport with Amaryllis in the shade, Or with the tangles of Neæra's hair? Fame is the spur that the clear spirit doth raise (That last infirmity of noble mind) To scorn delights and live laborious days; But the fair guerdon when we hope to find, And think to burst out into sudden blaze, Comes the blind Fury with th'abhorred shears, And slits the thin-spun life. "But not the praise," Phoebus replied, and touch'd my trembling ears; "Fame is no plant that grows on mortal soil, Nor in the glistering foil Set off to th'world, nor in broad rumour lies, But lives and spreads aloft by those pure eyes And perfect witness of all-judging Jove; As he pronounces lastly on each deed, Of so much fame in Heav'n expect thy meed." O fountain Arethuse, and thou honour'd flood, Smooth-sliding Mincius, crown'd with vocal reeds, That strain I heard was of a higher mood. But now my oat proceeds, And listens to the Herald of the Sea, That came in Neptune's plea. He ask'd the waves, and ask'd the felon winds, "What hard mishap hath doom'd this gentle swain?" And question'd every gust of rugged wings That blows from off each beaked promontory. They knew not of his story; And sage Hippotades their answer brings, That not a blast was from his dungeon stray'd; The air was calm, and on the level brine Sleek Panope with all her sisters play'd. It was that fatal and perfidious bark, Built in th'eclipse, and rigg'd with curses dark, That sunk so low that sacred head of thine. Next Camus, reverend sire, went footing slow, His mantle hairy, and his bonnet sedge, Inwrought with figures dim, and on the edge Like to that sanguine flower inscrib'd with woe. "Ah! who hath reft," quoth he, "my dearest pledge?" Last came, and last did go, The Pilot of the Galilean lake; Two massy keys he bore of metals twain (The golden opes, the iron shuts amain). He shook his mitred locks, and stern bespake: "How well could I have spar'd for thee, young swain, Enow of such as for their bellies' sake Creep and intrude, and climb into the fold? Of other care they little reck'ning make Than how to scramble at the shearers' feast And shove away the worthy bidden guest. Blind mouths! that scarce themselves know how to hold A sheep-hook, or have learn'd aught else the least That to the faithful herdman's art belongs! What recks it them? What need they? They are sped; And when they list their lean and flashy songs Grate on their scrannel pipes of wretched straw, The hungry sheep look up, and are not fed, But, swoll'n with wind and the rank mist they draw, Rot inwardly, and foul contagion spread; Besides what the grim wolf with privy paw Daily devours apace, and nothing said, But that two-handed engine at the door Stands ready to smite once, and smite no more". Return, Alpheus: the dread voice is past That shrunk thy streams; return, Sicilian Muse, And call the vales and bid them hither cast Their bells and flow'rets of a thousand hues. Ye valleys low, where the mild whispers use Of shades and wanton winds, and gushing brooks, On whose fresh lap the swart star sparely looks, Throw hither all your quaint enamel'd eyes, That on the green turf suck the honied showers And purple all the ground with vernal flowers. Bring the rathe primrose that forsaken dies, The tufted crow-toe, and pale jessamine, The white pink, and the pansy freak'd with jet, The glowing violet, The musk-rose, and the well attir'd woodbine, With cowslips wan that hang the pensive head, And every flower that sad embroidery wears; Bid amaranthus all his beauty shed, And daffadillies fill their cups with tears, To strew the laureate hearse where Lycid lies. For so to interpose a little ease, Let our frail thoughts dally with false surmise. Ay me! Whilst thee the shores and sounding seas Wash far away, where'er thy bones are hurl'd; Whether beyond the stormy Hebrides, Where thou perhaps under the whelming tide Visit'st the bottom of the monstrous world, Or whether thou, to our moist vows denied, Sleep'st by the fable of Bellerus old, Where the great vision of the guarded mount Looks toward Namancos and Bayona's hold: Look homeward Angel now, and melt with ruth; And, O ye dolphins, waft the hapless youth. Weep no more, woeful shepherds, weep no more, For Lycidas, your sorrow, is not dead, Sunk though he be beneath the wat'ry floor; So sinks the day-star in the ocean bed, And yet anon repairs his drooping head, And tricks his beams, and with new spangled ore Flames in the forehead of the morning sky: So Lycidas sunk low, but mounted high Through the dear might of him that walk'd the waves; Where, other groves and other streams along, With nectar pure his oozy locks he laves, And hears the unexpressive nuptial song, In the blest kingdoms meek of joy and love. There entertain him all the Saints above, In solemn troops, and sweet societies, That sing, and singing in their glory move, And wipe the tears for ever from his eyes. Now, Lycidas, the shepherds weep no more: Henceforth thou art the Genius of the shore, In thy large recompense, and shalt be good To all that wander in that perilous flood. Thus sang the uncouth swain to th'oaks and rills, While the still morn went out with sandals gray; He touch'd the tender stops of various quills, With eager thought warbling his Doric lay; And now the sun had stretch'd out all the hills, And now was dropp'd into the western bay; At last he rose, and twitch'd his mantle blue: To-morrow to fresh woods, and pastures new.
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